In my paintings and my work, I am interested in that area where realism crosses over into abstraction. More importantly, one that captures a cosmological wholeness of the universe, where deep space meets the ground. My visual language is to recognise the properties of each phase but to use both in my work. To have them exists together but separate. To have spontaneity, chance and play next to considered time-based events where you get chaos and movement juxtaposed alongside more sober considered mark making and the task of chasing the mistake and looking for the new.